lust-caution I prepared for going to see this film by chairing a meeting on the estate in which we discussed caretaker duty rotas and dog excrement in more detail than one would prefer. In a vague way I like to think of it as establishing the foundations of a bastion of working class power. Quite an imaginative leap is generally required. On the other hand the undercurrent of glamorous, pulsating sexual tension was a bit like what was to follow on the screen.

The young Chinese revolutionaries in Ang Lee’s new film Lust Caution don’t spend their time sitting in unheated community centres on January evenings. Their political activity begins with staging patriotic plays to raise money for the anti-Japanese resistance. It’s never made explicit but there are enough hints for you to work out that they are probably Kuomintang supporters. From theatre performances they decide on the obvious next step and agree to infiltrate a prominent collaborator’s home and kill him. Nothing that most readers of this site haven’t done.

One thing leads to another and one of the young women, played by Wei Tang, is given the job of seducing him.  Leung Chiu Wai is as convincing a pro-imperialist collaborator as any Irish politician though whether any of them have his predilection for brutal sex is something it’s best not to think about for too long.

Guess what? The young revolutionary quickly becomes infatuated with the psychopath. It happens every time! She even get him out of one or two tricky situations so illustrating that we are only the vessels of our passions.

It’s a lushly filmed and wonderfully acted piece but there are melting glaciers in Greenland with a snappier pace. As best I could work out the moral of the piece seems to be “don’t shag counter-revolutionary psychos”. It’s an important message that needs to passed on to young political activists but Lee could probably have transmitted it in rather under two and a half hours.

 

4 responses to “Last Tango In Shanghai”

  1. Whatever the merits of the movie, glad to see that Liam has found time to raise his cultural horizons beyond the confines of the ‘local soviet’.
    The dearth of overt politics in this film (despite the backdrop for the action) stem partly, at least, from the source material, a short story by the hugely popular (among a Chinese readership) Eileen Chang, whose stock in trade was romantic fiction. The story in question is apparently atypical of her work and contains more than a small element of autobiography.
    Liam’s hunch that the youthful resistance fighters were Kuomintang sympathisers is almost certainly correct since they came from Shanghai, where the Communist Party’s membership was quite literally butchered by the KMT in 1927. By the time of the Japanese occupation of the city, the CP had not really begun to recover.

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  2. Well, Liam, you shoulda gone to see No Country for Old Men. The Coen brothers on top form!

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  3. I think the moral is “if you shag them make sure you shoot them”.

    The bungling and incompetance of the young revolutionaries was rather endearing – come to think of it, very much like the left here really!

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  4. Tony Richardson Avatar
    Tony Richardson

    Liam
    You should stick to the local Soviet, and leave the films.
    This is an astoundingly reactionary film, whilst being beautifully made. The woman sacrifices all her comrades, for “love/sex”. This Chang presents as her lack of interest in the “big issues”, and seeing human relationship issues as most important. This was a lucky attitude for her as she was married to a minister in the Chinese collaborationist Govt.
    I didn’t know these facts before I saw the film, but the ending was so ludicrous that I suspected something of the kind. If we are at the point of recommending films then “4 Months 3 weeks etc.” the Roumanian film going the rounds is stunning, and captures the atmosphere of Stalinist bureaucracy, without mentiong it, incredibly well.

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